Page 30 - Let's Make Waves - September 2018
P. 30

CURTAIN GOING UP!





                                                       By: Paul Hager








                                                                and the other is for plays; or that one refers to a building and the
                                                                other to an art form; or that one spelling is lowbrow while the
                                                                other is refined. But these are merely variant spellings of the
                                                                same noun. “Theatre” is the only spelling now recognized in
                                                                same noun. “Theatre” is the only spelling now recognized in
          T T Theatre tttttrrrrrreeeerrrreeeee SSSSSSSSSSSSSSSSSSSSSSSSSuperstitionsnnnsn    Britain. “Theater” is the traditional American spelling, but
                                                                Britain. “Theater” is the traditional American spelling, but
                                                                “th
                                                                “th
                                                                “theatre” is now equally acceptable in the US, according to eatre” is now equally acceptable in the US, according to eatre” is now equally acceptable in the US, according to
                                                                “theatre” is now equally acceptable in the US, according to
                                                                stan
                                                                standard dictionaries. We suspect that some Americans lean to-dard dictionaries. We suspect that some Americans lean to-
       T  T T he he he he                                       standard dictionaries. We suspect that some Americans lean to-
                                                                ward “theatre” because of its British associations (just as the
                                                                ward “theatre” because of its British associations (just as the
            heatre Folk are a superstitious lot and considering the atre Folk are a superstitious lot and considering the atre Folk are a superstitious lot and considering the atre Folk are a superstitious lot and considering the atre Folk are a superstitious lot and considering the
            amount of things that can (unt of things that can (and do) go wrong in a perfor-and do) go wrong in a perfor-and do  spelling “colour” appeals to cosmetics manufacturers). In other
            amo
            amount of things that can (and do) go wrong in a perfor-
                                                                words, it has snob appeal.  One also supposes as usual there are
       mance, it’s not surprising that folklore has popped up giving an   class differences between those that use 're' and those who pro-
       explanation to these occurrences. In this issue we will delve into   nounce it "thee-ay-ter".  You may say "toe-MAY-tow" whilst I
       the world of theatre superstitions and try to provide the reasons   say toe-MAH-tow - call me what you will;  I'm an 're' guy!
       for their existence. Some are well-known, some lesser-known
       and a few even I hadn't known until doing research for this arti-       "BREAK A LEG!"
       cle!                                                                    This is perhaps the superstition best-known by
                                                                               you 'civilians' [non-Thespians] used when wish-
                       ORIGION OF THEATRE IN                                   ing us 'good luck' or 'good show' before a per-
                       MYTHOLOGY                                               formance.  Again, there are differing opinions
                       We begin with a brief mention of the origins   as to its origin. It may come from the ancient Greek practice of
                                                                as to its origin. It may come from the ancient Greek practice of
                       of what we consider live theatre [Please try to   stomping feet instead of applauding, the Elizabethan term for
                                                                stomping feet instead of applauding, the Elizabethan term for
                       stay awake; I know I had trouble doing so   bowing (to break the leg), the Vaudevillian practice of keeping
                                                                bowing (to break the leg), the Vaudevillian practice of keeping
       during History of the Theatre in college!].  Scholars tend to   actors just barely offstage (to break the leg of the curtain was to
       during History of the Theatre in college!].  Scholars tend to
                                                                actors just barely offstage (to break the leg of the curtain was to
       squabble over whether it was the Greeks or the Romans who
       squabble over whether it was the Greeks or the Romans who   enter the playing space, and thus, get paid), or from understudies
                                                                enter the playing space, and thus, get paid), or from understudies
       initiated it as an art form, but do agree with Aristotle that Thes-
       initiated it as an art form, but do agree with Aristotle that Thes-  (jokingly) wishing actors would “break a leg” so that their under-
       pis - a priest of the god of fertility and wine Dionysus - was the
       pis - a priest of the god of fertility and wine Dionysus   studies could perform.
       first person ever to appear on stage as an actor playing a charac-
       first person ever to appear on stage as an actor playing a charac-
       ter in a play (instead of speaking as him or herself).  In his hon-     WHISTLING BACKSTAGE
       or, those involved in theatre - predominately actors and actresses      Whistling while anywhere backstage in a thea-
                     - refer to themselves as Thespians.                       tre has long been considered bad luck. This
                                                                               superstition stems from the time before mech-
                     'RE' OR 'ER' ?                                            anized sets and backdrops. Back then, all the
                     There’s been a lot of bru-ha-ha written about   rigging for the sets, lighting, etc., was all operated by hand using
                                                                rigging for the sets, lighting, etc., was all operated by hand using
                     “theater” and “theatre”—that one is for movies
                                                                ropes and sand bags. As such, the backstage crew was often
                                                                ropes and sand bags. As such, the backstage crew was often
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