Page 49 - Galveston Waves - January 2019
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GRAND FIRST NIGHT  parquette floor and the aisles are   Her Companions,” there being five   Grand is not only absolutely safe,   exposed, but giving those occupying
        The New Oprea House Opening a Great  sufficiently wide to be unusually   female figures in all. The painting   so far as the flames are concerned,  them a splendid view of the stage.
              Social Function.  convenient. The seats are arranged   is draped with a representation of   but it is one of the prettiest, moist  The tints and decorations are
           STANDING ROOM ONLY  in the shape of a quadrant and all  plush drapery on either side. The   modern and most artistic pieces   delicate and give the impression of
         Beautiful Women and Gallant Men   afford the spectator an excellent   theater is furnished for lighting by   of architecture that ever adorned   a bright day in spring time, With
         Occupied the Boxes and Prominent   view of the stage. The backs of   both gas and electricity. Electric-  a southern city, and Mr. Frank   blue skies, flowers, birds and soft
             Places in the Theater.  the seats are ventilated through   ity alone is used on the stage,   Cox will be kept busy for the   sweet songs. The entrances to the
           ENCOMIUMS OF PRAISE.  grillwork and the frames are made  thus avoiding any danger from   next month accepting the hearty   boxes are hung with tapestries of
         The Star Was Marie Wainwright in   from oak. There are four boxes   fire where theater fires usually   congratulations of those who have   shades as delicate as the tints of
        “Daughters of Eve”— Description of   on either side, two upper and two   originate. Heat is secured from two  seen the Grand, only to admire it.   the Avails and ceilings. And before
         the Most Beautiful Theater in the   lower, and they command a good   hot air furnaces in the basement,   Comprising the beauty, chivalry and  all this beauty of architecture and
                Southwest.    view of both the stage and the   one of which supplies the stage   intelligence of the leading city of   the decorator’s art was repre-
       The most important dramatic event  auditorium. The banisters environing  with warmth and the other the   Texas. And the Grand was packed,   sented the beauty and gallantry
        in the history of this city took   the fronts of the boxes are finished  auditorium. Protection from fire is   too. The word is used advisedly,   of Galveston.  In box A, the one
        place last evening when that new   with white and gold, the top being  ample and the exits are numerous   because every seat upstairs and   nearest the stage on the right, was
        and magnificent Thespian temple,   covered with crimson and plush   and easy of access. At the rear of   down was taken. Galvestonians   Colonel L. J. Polk of the Santa Fe
        the Grand opera house, was formal- and surmounted by silver railing.   the parquette are two fire plugs,   are always proud of a magnificent   railroad company, Mrs. Polk, Miss
        ly thrown open to the public. That  The boxes are draped with satin   fitted with hose. Besides the large   enterprise and they were glad of   Shelby Williams of Nashville, Tenn.,
        it presented a gala appearance   damask of fine texture, elegant   entrances and the fact that the   an opportunity to do homage to   a niece of Colonel Polk, and Mr. W.
        when the youth, beauty and intel-  designs and delicate shades fringed  gallery patrons do not come in   such an edifice as the one which   A. Cantrell, brother of Mrs. Polk. The
        ligence of Galveston had assembled  with silk. The tops of the boxes are  contact with those of the lower   has just been completed and which  ladies were elegantly attired and
        within its portals goes without the   in Moorish canopy style, decorated   floor, separate entrances being   will stand as a monument to the   were the cynosure of all eyes. In
        saying. Much has been said and   in white and gold and In delicate   provided for them, each floor is   enterprise and thrift of Galveston’s   box B, next to the Polk party, were
        written about this playhouse and   tones of blue and pink. The   supplied with a number of extra   citizenship. Mr. Henry Greenwall was  Mr. Jens Moller, Mrs. Moller, Miss
       consequently much was expected of  wainscoting throughout the building  exits distributed about the walls   on hand to welcome his guests. So   Kate B. Heflin of New Orleans and
        it, but notwithstanding this fact the  is of yellow grain pine, finished in   some eighteen feet apart. These   were Mr. Albert Weis and Manager   Mr. L. F. Cowan. These charming
        surprise was general and unfeigned  hard oil, while the body painting   each lead by iron stairways to   Dave Weis and Mr. Phil Greenwall   ladies were attired in rich costumes
        when the audience witnessed the   is of the same shade as that In   the ground. Ventilation is secured   of the Fort Worth opera house.   and were the admired of the
        interior of the beautiful building,   the lobby and foyers. Over the big   through the large ventilator in the   They were diked out in dress suits   many who filled the opera house.
        Its magnificent appointments, Its   stage the decoration of the frieze   ceiling and the large number of   and broad smiles. But they had a   A bright party of young people
        artistic design and its elegant finish.  is very elaborate, including lovers’   windows. The fact that there is not  right to smile. They had a laugh   filled box C, at the left of the stage.
        Modern and fully up to date, it is   knots, tropical flowers, groups of   a square corner in any portion   coming to them. An opera house   Three beautiful young ladies, in rich
        one of those imposing structures   musical Instruments and groups   of the auditorium, furnishing no   like the Grand and the audience   and elegant costumes, Miss Seeligson,
        which is compelled to challenge   of masks, play books and other   chance of an echo, should prove   which was there to dedicate it   Miss Hutchings, well known in
        admiration. While it is rich and   appropriate emblems. The ceiling   a guarantee of excellent acoustic   were sufficient to make a crusty oil  Galveston society, and Miss Tina
        gorgeous in every detail, there is   decorations are handsome, light   properties. In this connection it   recluse rub his hands with joy. It   Cleveland, a Houston belle, and
        no evidence of lavish expenditure   and airy.  may be stated that one thing Is   was a brilliant scene throughout—  Messrs. Taylor, Stewart and Lorrimar.
        further than what was absolutely   The stage is seventy-five feet wide,   certain, and that is, there is no   one calculated to inspire everyone   Manager Weis of the opera house
        required to make it just what it   sixty-eight feet in width from   danger to an audience from the   with mirth. Then it must have   and his party occupied box D, next
        is—the grandest temple of Thespis  the footlights, and the height is   flames in the Grand. As a prom-  been with pardonable pride that   to the one just described. In this
        to be found in the broad confines   sixty-eight feet from the stage floor  inent citizen remarked last night:   Mr. Henry Greenwall witnessed the   box were Mrs. A. Weis, mother of
        of Texas or the southwest.  to the gridiron. This constitutes not  “You may pack it from pit to dome  scenes of pomp and splendor about  the general manager, Mrs. M. C.
       On entering the building at the   only the largest stage in the state,   with women and children, and in   him. On Saturday evening, February  Michael, Mr. M. C. Michael and Mr.
        southwest corner from Postoffice   but is one of the big ones of the   case of fire it can be emptied in   25, 1871, or nearly twenty-four   Fred Weis. Mrs. J. L. Belbaze and
        street one passes under an   country. No company travels whose  ten or fifteen minutes.” This was   years ago, he opened the Tremont   Miss M. Belbaze, both beautifully
        exquisitely carved stone arch. The   people and scenery can not be dis-  the universal opinion expressed, and  opera house in this city. ‘Then he   attired occupied box E, the tipper
        lobby is paved with marble tile   posed of with the utmost ease on   Galveston playgoers can go there   was struggling along with but little  box at the right of the stage. They
        and beautifully decorated. A delicate  this stage. The mechanism of the   and occupy seats in any section of   more than an ambition to climb   were accompanied by Mr. J. Belbaze.
        shade of brown is the coloring   stage is up to date. There are two   the building without the slightest   up in the histrionic world as a suc- In box F, next to the above, was a
        of the walls and the decorations   galleries for the handling of scenery.  fear of fire. There is another   cessful opera house manager. That   party of six charming young ladies,
       consist of festoons of roses looped   House scenery is handled from the   thing about the Grand which is   was nearly a quarter of a century   under the chaperonage of Mrs.
        and knotted with bows of ribbon.   lower one and road scenery from   a new and welcome departure in   ago and, while the white flowers of  Weaver. The party was composed of
       The balcony foyer duplicates that   the upper one. Most of the scenery  Galveston, and that is the fact that  age have begun to cluster about   the Misses Durkee, Sherrin, McGrew,
        below except that it has no   is worked by what is technically   desirable reserved seats can be had  his brow, he must have been happy  Roark, Quill and Guthrie. The ladies
        stairway leading up from it, and   knows as “straight up,” as prevails   in the balcony. The poor man, who  last night in the consciousness that  were attired in a uniform of black,
        that in the south end it has an   in nearly all modern houses. The   feels unable to spend a dollar per   he has not lived in vain—that   with white kerchiefs. In the upper
        artistically executed scene, which is  dressing rooms for the stars are on  seat, can take his family into the   he has been instrumental in the   left box were Dr. S. O. Young and
        the handiwork of the architect. The  both sides of the stage and behind  balcony with the utmost safety, and  erection of the greatest Thespian   wife and Captain John K. Wiley or
        doors of both foyers are paneled   the boxes. The other dressing   furthermore, he can secure seats   temple this state has ever seen.   Huntsville. Mrs. Young was beau-
        with art and hung with bronze   rooms—twelve in all—are under   which are in every way desirable   He said to a News man that it   tifully and tastefully attired. The
        double-action hinges. The floors and  the stage. The dressing rooms are   for 50 cents apiece. In these   was the proudest moment of his   architect of the building, Mr. Frank
        stairways are covered with royal   all furnished with hot and cold   balcony seats every part of the   life, and he said it in a way that   Cox, and his party occupied box
        Wilton velvet of crimson hue and   water stands, the necessary mirrors  big stage is in full view. There are   showed he meant it.Every box in   H. There were in the party Mrs. Cox, Mrs.
        of the latest and most fashionable   and dressing cases. The drop   also reserved seats on one side of   the theater was occupied by beau-  Eugene Cox, Mr. Eugene Cox and Mr. Frank
        pattern. Ladies and gentlemen’s   curtain is without doubt one of the  the balcony for the colored people,  tiful women, elegantly attired, and   Ellsworth of Sherman. Altogether it was a
        parlors are encountered on each   finest in the country. It is a copy   which give them the same excellent  gallant men, in full dress. The boxes   great occasion and one that will linger long
                                                                                                   in the pale moonlight of memory.
        side when one steps upon the   of a famous painting, “Sappho and   view of the stage. Altogether, the   are after the new style, somewhat   -The Galveston News - 01/04/1895
                                                                              Waves Magazine  |  January 2019 Issue  |  49
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