Page 58 - Galveston Waves - Feburary 2019
P. 58

Public Library had a summer reading program where, when you
                                                                read 10 books [completion documented by your mom], you got
                                                                tickets to see a play put on by the Junior League Players as a reward.
                                                                My first exposure to live theatre was “Aladdin and the Magic Lamp.”
                  CURTAIN GOING UP!                             I was mesmerized. “I want to do that!” I informed my rather
                                                                chagrined mother – she had aspirations of my becoming a dentist.
                                                                Every birthday party trip for me was dragging friends to The Alley
                                                                children’s theatre.  My fate to pursue acting was sealed in 1966 with
                                                                the debut of “That Girl” on TV.  If Marlo Thomas could move to
                                                                New York and become a star, so could I!
                             by: Paul Hager
                                                                That never happened for me; let’s face it, most actors don’t make
                                                                it onto the red carpet in designer clothing.  I consider myself more
                    “ “ “HHHigh-diddley-dee, igh-diddley-dee, igh-diddley-dee,   fortunate than most having been able to pursue my passion locally
                  an Actor’s Life for Me!”Actor’s Life for Me!”Actor’s Life for Me!”
                  an
                  an                                            and regionally since my college days, sometimes lucratively, often
                                                                times not in the areas of performing, producing and teaching with-
                                                                out having to venture too far from home.  That, and the constant
                  magine if you will enthusiastically choosing a profession   and loving support of my partner over the years now find me con-
                  where employment is sporadic at best and non-existent   tent with my current and future place on my own red carpet.  I am
                  at worst and you willingly set yourself up for disappoint-  excited to be living and hopefully still breathing in this digital age of
                  ment, repeated rejection and even ridicule.  A jealous   podcasts, web series and doing voiceovers from home. Even with so
                  and needy career where the odds are so overwhelmingly   many new opportunities to pursue my love, my passion, my life will
                  against you that only 1 in 20 of those that claim it as   always be theatre.
         theirs earn an annual salary over $15,000.  When you ARE working,
         it requires a hectic and tiring 24/7 dedication; when you’re NOT   For another perspective, I sat down with Lisa Hamilton, recently
         working the same effort is put out into trying to GET working – in   added as member of my theatre family when we performed together
         other words no personal, social or family life. Welcome to the actor’s   in “Lucy Stiff” at COM Theatre, for her take on being a theatre
         role in that business we call show!                    professional.

        “Are these people insane?” you might ask.  One opinion is put forth         PAUL:  Let’s start with a brief biography
         in a psychology study comparing 214 professional actors to a cohort        and some of the highlights of your career
         of non-acting North Americans and has in fact found significantly          in theatre.
         higher rates of disordered personality traits in the thespians. The
         study, co-authored by actor Mark Davison and University College            LISA: I got my BFA in acting and did
         London psychology professor Adrian Furnham, is forthcoming in              Summer Stock professionally in college.
         the journal Psychology of Popular Media Culture. In the study, male        Then I was fortunate enough to be hired
         and female actors alike scored significantly higher on measures of         into the Alley Theatre’s Young Company
         antisocial, narcissistic, histrionic, borderline, schizotypal, and obses-  in the late 80’s – yes I am that old – after
         sive-compulsive personality disorder traits than non-actor peers, as       which I was offered an Equity contract
         defined by the Coolidge Axis-II inventory of personality disorders.   Lisa Hamilton  and a position in the resident company.
         Male actors had significantly more traits for dependent and avoidant   When I wasn’t on stage I assisted Associate Director (and now a
         personality disorders as well.  It’s worth noting here, before you start   Tony Award winning director) Michael Wilson with local casting. Af-
         blocking texts from that friend trying to break into commercials in   ter 5 years with the Alley I moved on to get my Masters in Directing
         LA, that there’s a difference between having schizotypal traits, for   from LSU and was a professional director for two years.  I starved.
         example, and actually having full-blown Schizotypal Personality   Met my husband in 96 and took a long hiatus to raise my kids.  I
         Disorder. None of the respondents had known psychological diag-  kept my toe in the water by doing a one woman show : “Bald in the
         noses.  In fact, in the right amounts and the right profession, some   Land of Big Hair” for Susan G, Komen and Pink Ribbons fund-
         of these traits can actually contribute to success. Previous research   raisers. I also recruited young actors for a college in Santa Fe New
         has shown that narcissists make good first impressions and thrive in   Mexico. Now I am so lucky to work with H. Russ Brown at College
         front of an audience—both crucial skills in an audition. They also   of the Mainland.  I love the work we are doing there!
         tend to display the kind of narcissistic tendencies that make them
         crave the spotlight for themselves, but not those that make them   PAUL:  I can [and did] point to exactly when my ‘acting epiphany’
         want to tear others down.                              occurred.  What and when was yours?
        Another way of putting it – “You can only pursue acting if you have
         to. It would be the most awful career choice unless you truly loved   LISA: I played Helen Keller in The Miracle Worker when I was
         it!”                                                   9 years old.  Received my first standing ovation and there was no
                                                                turning back.
         I fall into the second category.  I very vividly remember my ‘actor
         epiphany’ taking place when I was in the third grade.  The Houston   PAUL:  What made you decide to pursue theatre as a professional


      58  |  Waves Magazine  |  February 2019 Issue
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